The work of Bristol sound co-founder Geoff Barrow, this sharp-edged if undernourished debut feature casts a critical gaze on the ecstasy-fueled club scene. Venal drug user David (Marc Bessant) first robs an unconscious dealer, then in another flashback tries to burgle his own parents. In no time, he's upside down in the remains of his car in a woodland – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Darkly Funny Duel
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The central theme – that the rave-era youth were mainly focused on themselves – is firmly made. But these vignettes are too thin to adequately prepare us for what to expect when the Woodsman arrives, fuming after David kills his dog. Still, a grimly amusing standoff unfolds – David eager to get away; the Poacher withholding his jerrycan of cider, determined to soaking him instead in embittered discourse. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Music Video Vibe
Just a single important plot development, but it results in a hilariously staged chaotic run on the woodland paths that veers toward folk horror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was focused intently doing artful shots of insects in the light in the early stages, he now lets rip with the full lysergic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.
The film is in UK and Irish theaters from November 17.
